Logica Magna Part 1 Fasc 1 Tractatus de Terminis.

1. Prolegomena -- 2. [Without special title] -- 3. Opera theologica.

I _Sogni di un visionario chiariti con sogni della metafisica_ del 1766 sono sempre stati visti come un'opera unica all'interno dell'intera produzione filosofica di Kant. Se tradizionalmente si è visto in questo scritto il momento di massima vicinanza a Hume e quindi di massimo scetticismo antimetafisico da parte di Kant, negli ultimi tre decenni non sono mancate letture che hanno visto in esso non soltanto una continuità con la metafisica kantiana precedente ma anche un interesse vero e genuino da parte (...) di Kant per le teorie del mistico svedese Emanuel Swedenborg (1688-1772). Tuttavia, nessuna di queste letture ha riservato un'attezione adeguata al terzo capitolo della prima parte dei _Sogni_, nel quale Kant prende in esame i "sognatori della ragione" e i "sognatori della sensazione". Si tratta di una sezione del testo particolarmente interessante perché stabilisce quello stesso confronto fra errore metafisico ed errore empirico che Kant stabilisce quindici anni più tardi nella C_ritica della ragion pura_. L'esame del confronto fra questi due luoghi testuali permette dunque di vedere come si è evoluta la concezione kantiana dell'errore dal 1766 al 1781, e permette conseguentemente di capire in cosa la teoria dell'errore presente nella _Critica _si distingua essenzialmente da quella presente nei _Sogni_. (shrink)

Ulisse presso di noi, l'LUlisse in noi -- Il nodo Europa: genesi e transformazione di un'idea--Paradigmi figurativi, esperienza religiosa e identità nazionale: da Bisanzio a Giotto -- Natura, artificio e persona: l'attualità della sfida antropologica -- Femminismo e teologia -- Scienza ed esistenza (credente) -- Sul significato filosofico di un'amicizia -- Necessità e limiti di una filosofia della storia per la vita -- La religione dello storicismo -- Cosa signfica, andare "al cuore della religione?".

Pensar un análisis crítico del discurso desde una perspectiva decolonial significa, ante todo, la puesta en cuestión de la historicidad de la colonialidad/imperialidad/modernidad en términos de rec...

Este artigo apresenta as críticas de Francesco Patrizi à concepção aristotélica de tempo na sua Física, isto é, a crítica de Patrizi ao princípio de que o tempo é infinito em termos de infinidade matemática. A principal tese de Patrizi é a de que a “infinidade possível" da matemática acarreta contradições quando aplicada a substâncias naturais e à ciência natural em geral.

Quaestio, Volume 20, Issue, Page 257-288, January 2020.

Zubiri’s thought can be qualified as an attempt to reconsider the assumptions and contents of the history of metaphysics from a new perspective. In almost all his writings, Zubiri targets the tradition of Western metaphysics and its fundamental concepts from heterogeneous perspectives and with different methods. Among his mature writings there is one that is exemplary in this regard: Los problemas fundamentales de la metafisíca occidental (1969-1970). This paper examines the peculiar definition of metaphysics that Zubiri formulates in this work, (...) paying particular attention to the transcensus of the first science, to the notion of the transcendental and, finally, to the distinction, elaborated by Zubiri, between the object of metaphysics and the things that constitute the object of ordinary knowledge. (shrink)

Due to its innovative content, Duns Scotus’ thought spread rapidly, thanks above all to the contribution of his pupils and disciples, who immediately undertook to edit his writings and to rework and disseminate his thought. In this process of dissemination of Scotism, a very important role was played by Antonius Andreae, a Spanish Franciscan and a Scotist. His importance is mainly historical. The widespread diffusion of Scotus’ metaphysical thought - at least in a first phase - is essentially linked to (...) his name: many authors of the sixteenth and seventeenth centuries will know Duns Scotus’ metaphysical thought through the mediation of his Questiones in xii libros Metaphisice. This paper examines Andreae’s discussion concerning the subject of metaphysics (Questiones, I, q. 1), trying to show in what sense and in what way he contributed to providing a simplified yet systematic formulation of some of Duns Scotus’ doctrines. (shrink)

Esito di un convegno tenutosi a Roma nel 2003, i saggi raccolti in L’arte e i linguaggi della percezione offrono una variegata panoramica delle posizioni maturate nel dibattito intorno al programma epistemico di Ernst H. Gombrich, prendendo in esame non soltanto gli aspetti più squisitamente filologici della sua biografia intellettuale — la formazione, i rapporti con la scuola di Vienna, la complicata relazione con Warburg e la scuola iconologica — ma anche i fondamenti filosofici del suo pen...

The paper focuses on the following points:1. A survey of the characteristics of the philosophic book during the XIIIthcentury, with a special attention to the standard book-format developed for the Scholastic philosophy. 2. The innovations introduced by Ramon Llull, going beyond the standard model of the Scholastic book. Llull is a merchant and, because of his education, he is not able to write a book of philosophy; but he has been inspired by God, who asked him to write a book (...) which will be able to convert all the World. This will change his life: the key for the conversion will not be an interpretation of the Bible (refused by the Arabs and only partially shared with the Jews), but an explaination of the potentials of any human languages. Inside the human language it is possible to find the evidence of the reality of God, and especially of the God of the Christians. The new book (which will widespread the Ars combinatoria) will explain this, spreading the inner power of language itself. 3. The philosophic book of Llull as a multi-cultural linguistic laboratory; survey of the graphic features enabling this complex interaction among different languages and writing systems. 4. The organization of Llull’s scriptorium. 5. After the death of Llull: why did his method for global conversion did not work? 6. The modern tradition: copying Llull / loving Llull / inventing Llull. 7. The transformations of the book designed for the Ars combinatoria and his relationships with modern culture. Philosophy and science. Book and laboratory. Philologists do not like Llull’s friends, but probably he would have loved them. (shrink)

In Soph. 237b7–239a11 Plato lays out a sequence of arguments that are generally considered homogenous. An analysis of each argument can shed light on the need to differentiate their respective nature. Firstly, it will be shown that the arguments do not work only at the linguistic level, contrary to the way these passages are interpreted by most of commentators. The meta–linguistic nature of the third argument will be particularly emphasised. Secondly, it will be argued that the three arguments follow each (...) other according to a crescendo. The implications of this argumentative structure will be specifically appreciated. Both these results of the analysis induce to attribute a crucial importance to the notion of medamos on: the arguments do not aim to definitively exclude the possibility of a Parmenidean non–being; they play a positive role within the inquiry of the Stranger of Elea, inasmuch the thematisation of Parmenidean non–being is seriously taken into account and embraced at this stage of the dialogue. In fact it is only through this dialectical step that the Stranger gains the chance to proceed in the direction of a relational ontology and a new concept of non–being. The positive role played by the medamos on presupposes that this expression and the equivalent ones are not mere absurdities and can find place in the Platonic use of language; this implies that the notion of medamos on must have a justification in the framework of Platonic relational ontology and conception of language. The consideration of this aspect eventually gives the opportunity to return to the three arguments and present an explanation of their positioning in that stage of the dialogue. (shrink)